Henni Alftan - Kitchen (oil on canvas, 2016)
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Henni Alftan - Kitchen (oil on canvas, 2016)
Adual Akol (@unpublishedartist)
Willow and Jaden Smith By Craig McDean For Mastermind Magazine September 2019
Sarah Jessica Parker and Chris Noth
any company or advertisement that makes a gimmick out of not wearing foundation but redirects that focus into “skincare” isn’t focusing any less on standards of preternatural perfection for women but rather keeping the standards the same & giving you even fewer tools to try to attain them with
‘Something similar is going on today with a certain popular beauty look, which we might label “Instagram model.” The look evokes both nakedness and airbrushing and is made possible by technology. A lot of the work formerly performed by makeup has been redirected into products and procedures—eyelash extensions, micro-current facials, injections of all kinds—leading to, and prompted by, an aesthetic of militant naturalness surrounded by an unambiguous aura of money and work. It’s a regime posing as a regimen. “Rules of taste enforce structures of power,” Sontag wrote. The beauty industry runs on its ability to redefine “natural” at increasingly higher prices.’
–Jia Tolentino, “The Year that Skin Care Became a Coping Mechanism”
life:
From the May 15, 1950 cover story: BEACH FASHIONS: The Latest in One-Piece Suits. According to LIFE, “Americans turn to one-piece suits, big straw hats, togas and T-shirts.” This image is an outtake from the story. (Nina Leen—The LIFE Picture Collection/Getty Images) #fashionfriday #1950sFashion #VintageFashion
https://www.instagram.com/p/ByIMm9dDJl4/?igshid=1wxfcduhsjmvq
Georges Hobeika Spring 2018 Couture
Elie Saab | Haute Couture Fall 2017